Artist Schilder Andrei.

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Artist Schilder Andrei.









Yiruma "First love" I




















Priroda _-_ Penie_utrennih_ptic_i_muzyka

Schilder Andrei (1861 - 1919)

Outstanding Russian artist. He was born in St. Petersburg, Russia, in the family of artist H. Schilder. From 1877 attended the workshop Shishkin and participated in joint creative journeys to the Crimea, Belovezhskaya Pushcha on Valaam. Being a volunteer at the St. Petersburg Academy of Arts (1878 - 1883), won two first prizes and a small silver medal for the scenery. Participated in exhibitions of Arts, and OPH TPHV (since 1894 a member of the T-va). In 1880 won the first prize for the OPH landscape. Special popularity brought two large panorama made for the Nizhny Novgorod All-Russia Exhibition (1896) and the World Exhibition in Paris (1900). In 1903, "in recognition of the artistic field" was awarded the title of academician of landscape painting. He turned to the technique of etching, printed graphics exhibited at the first exhibition Blanc et Noir in St. Petersburg. Published drawings and reproductions of paintings in the magazines "North", "Pictorial Review", "World illustration", "Swallow", "Virgin Soil", "Artist". Worked on the decorations for the performances of the theaters of St. Petersburg. Continued to work in the field of monumental and decorative (panoramic) painting. His works are in the State Tretyakov Gallery, museums Astrakhan, Kursk, Nizhny Novgorod, Taganrog, Rostov, Yaroslavl, Kostroma, Arkhangelsk, Zaporozhye and many other XM Russia and Ukraine.
Very hardworking and versatile in their creative work, the artist much fruitful work. However, a favorite genre A. Schilder was always the landscape. Forest had motives in his work a kind, technically perfect and truly poetic implementation. They were particularly softness, lyricism and emotion. Living in the tactile image, the natural movement of light and shadow, compositional generalized products A. Schilder made him a number of sought-after artists of his time.

George Wesley Burrows (Bellows) (1882 - 1925)

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George Wesley Burrows (Bellows) (1882 - 1925)

Bzyato at lj user "tanjand" in George Bellows (Bellows)
George Wesley Burrows (Bellows) (1882 - 1925), an American realist painter, was born in Columbus, Ohio.
In 1904 he became a founding member of the New York art school group Eshkanan (Ashcan School), in 1909 he entered the National Academy of Design. In 1906, George Wesley Burrows in New York opened his own studio. He taught at the Art Institute of Chicago.
Collaborated in the socialist journal "Masses? (The Masses), but moved away from him because of his active support of the US entry into World War.
He died of peritonitis caused by inflammation of the appendix in 43 years.




Beautiful portraits by Bellows around 1910, which delights are a contrast to his rich, dynamically-realistic paintings depicting the life of a big city - the first in New York.











The most famous painting works J.. U.Bellouza - "Dempsey and Firpo? (Dempsey and Firpo, Whitney Museum of American Art) depicts the battle boxers - Bellows always been interested in sports. Colors and imagination of the artist reflect the actual strength and dynamics of movements of athletes.

Artist Andrew Wyeth

Artist Andrew White
Andrew White - American realist painter, one of the most prominent representatives of the fine arts of the 20th century the United States. The main theme of the works of White - American provincial life and nature. Used tempera and watercolor.

"Intuition and imagination - a sure way of knowing the truth, rather than abstract logic and the scientific method. Following the White Whitman artist withdrawal of American art of the twentieth century to the world level, because he sees in every human traits that are not unique to the inhabitants of America, but to all people of the Earth. "
"In the work of Andrew White noticeable features characteristic of the American realist tradition: the idealization of American farming, addicted to his native land, the accuracy of the image visible, sometimes close to the topographic illusory.